Luleå Chamber Choir
·
Contribute
to a rich presentation of music on a high
artistic level
·
Be a
sonorous choir with good intonation and
expression
·
Perform
choral music at its best
·
Perform
music of different genres and from different
epochs
·
Give
regular concerts and expose to media
·
Give every
singer a chance of development
·
Be
characterized of joy and a pleasant atmosphere
·
Actively
interest
young people for singing in a choir
Bach
J S:
MASS
h-moll (1998)
Beethoven
L:MASS C-dur (1993)
Brahms J:
EIN DEUTSCHES REQUIEM (1989,
2003)
FEST UND
GEDENKSPRUCHE (2005)
Fauré G:
REQUIEM (2001)
Harling P:
FOLK
DANCE MASS (2000)
Händel G F:
MESSIA (2000)
Isacsson E: THE
HOLE
Mozart
W A: REQUIEM (1988)
MISSA IN C
(Krönungsmesse)
(2005)
Olsson O:
TE DEUM (2001)
Ramirez
A:
MISA CRIOLLA (2001)
Andersson B/
Ulfvaeus B: CHESS
IN
CONCERT (1995)
Berwald F: NORRBOTTEN CANTATA (1992)
Ellington
D:
SACRED
CONCERT (1990, 1995)
Larson
L E: GOD
IN
DISGUISE (1992, 2004)
Lindberg N: REQUIEM
(1994)
Orff C:
CARMINA
BURANA (2002)
Puccini
G:
TOSCA
(1999)
Verdi
G:
REQUIEM
(1997, 2001)
O Adolpssohn, Beatles, J
S Bach motetts,
L Bagge Spader Madame,
C M Bellman,
A Berg, J Brahms songs and Zigeunerlieder,
Bäck motetts,
G
Debussy, D Ellington, Gunnar
Eriksson arr, Jan Ferm, Gastoldi, G Gershwin, Grieg, G
Hahn, Hulkkonen, Knut Håkansson,
Sven Erik Johansson,
Zoltan Kodaly, Lars-Erik Larsson, Nils Lindberg, Norman Luboff,
Frank
Martin, Felix Mendelssohn, Knut
Nystedt, Otto
Olsson, Carl Orff,
W Peterson-Berger, Gene Puerling, H Purcell, Ildebrando Pizetti, F Poulenc, Arvo Pärt, Rachmaninoff, E Rautaavaara, J Rutter, Jan Sandström,
Sven-David Sandström, M Sciber, J Schein, Stenhammar, W Swingle,
L Söderlund, E Taube, G Verdi, Vaugan-Williams, L
J Werle, D Wikander
LCC, highschol
students from three cities, a
children’s choir and a youth symphomy orchestra.
Conductor Leif Carlsson,
Rehearsal: Monica Wasberg
An
ensemble
of 170 singers and 60 musicians are this week
performing Carmina
Burana in very special
concert halls, like a military
exercise hall and a bus garage. The lyrics were
written in the 12th
and 13th centuries. Some parts are sung
in Latin and some in rural
German. The original music was simple and
rhythmical with lots of percussion.
Carl Orff created his
own piece of music at the verge
of World War II. Monica Wasberg,
who has done the
rehearsal with the large choir, has had a hard job
to get a good balance.
Aggressive forte pieces are mixed with lyrical and
sensitive parts.
LCC,
Luleå Symphony
Orchestra and soloists.
Conductor: Hans Ek,
Rehearsal: Monica Wasberg
A big
orchestra, LCC and
some more singers and the soloists
gave the audience a strong musical adventure in
the beautiful church. The whole
ensemble created a powerful and serene
interpretation conducted by the skilful
Hans Ek. The choir
deserves extra praise for its
richness and harmony
which is a result of Monica Wasberg’s
rehearsal. The soloist Eva Plumppu
is a member of the
choir and a brilliant soprano.
LCC, Conductors: Monica Wasberg and Eric Ericson
The
permanent conductor Monica Wasberg
could celebrate
her own 10th anniversary with the folk
song In
our meadow, arranged by Hugo Alfvén.
After that the
legendary Eric Ericson
entered the stage. The choir
showed a lot of emotions in both sad folk songs
and in the whirling Brusala
by Knut Håkansson. The best song
tonight was, no doubt, the very
complicated Suite de Lorca
composed by Einojuhani
Rautavaara. The choir was brilliant and got a
lot of ovation.
LCC, Conductor: Monica Wasberg
LCC will
be 40 this year, but the celebration will not take
place until October. This
year’s spring concert became a small performance
at the arrival of spring. The
program was varied and reminded a lot of
25-0ct
2004 A
successful jubilee
LCC, Conductors: Monica Wasberg, Thomas Pleje and Erik Westberg
It is
not
too difficult to celebrate the choir’s 40th
anniversary when so many
members from the early years are still vital and
can give their contribution. LCC
really gave themselves and the audience nostalgic
vibrations in the crowded hall Aula Aurora. Former
members were invited, some of them dazzling
artists today.
The
concert
was both jolly in When I’m sixtyfour
by the Beatles
and serious in a reminder of the first conductor,
Einar
Isacson, who died
earlier this year. He gave the
choir its character. His composition Oh,
Monica
Wasberg has
successfully carried out work with a choir who
loves to sing and to accept challenges, for
example a song composed for the
choir by Karl-Erik Welin
about 20 years ago and a new
composition by Lars-Johan Werle
of a renaissance poem
by Petrarca. The
choir is now more mischievous than
it used to be and performed songs influenced by
modern popular music.
Two
former
conductors Thomas Pleje,
director musices
at
Music
for a
while by Henry Purcell was performed with the
singers standing around the walls
of the hall and the soprano soloist Eva Plumppu high
up on a gallery.
After
flowers and ovation the chairman of the Choir
Association made a speech and
stated that Luleå Chamber
Choir is on the front line of Swedish
choirs and a role model with its determined choice
of repertoire and its high
standards.